Tucson Board Meeting
Last night I attended the rally for Mexican American Studies at Tucson Unified School District's office. Local news reported on it, but I'm not going to embed it to my site because the video is full of commercials that play automatically.
See it here: http://www.kvoa.com/videoplayer/?video_id=11179&categories=1
There's some stock footage from the KVOA video I posted from the Banned Bookclub I've been participating in.
I'll be sure to post the video from Arizona Public Media's coverage when it's available.
In the meantime, more fun with memes:
This online writing environment digitally archives the embodied rhetoric, issues and projects that relate to me as Associate Professor at Santa Clara University and Bread Loaf School of English faculty. E-mail me at: cnmedina AT SCU DOT edu.
Wednesday, July 25, 2012
Sunday, July 22, 2012
Selena's Edward James Olmos on Mexican American Identity
"More Mexican than the Mexicans..."
This is a clip from the film Selena that addresses the positionality of the Mexican in American and space between both cultures where this identity navigates and performs the consciousness of both.
Also, I got contacted with the link to a video also featuring Edward James Olmos discussing the pejorative "pocho," which contributors to this blog have discussed in depth before. It begins by exploring the term "naco" that possesses pejorative connotations like pocho, but infers more of a "hick" identity characterized by pointy boots and linguistic markers.
This is a clip from the film Selena that addresses the positionality of the Mexican in American and space between both cultures where this identity navigates and performs the consciousness of both.
Also, I got contacted with the link to a video also featuring Edward James Olmos discussing the pejorative "pocho," which contributors to this blog have discussed in depth before. It begins by exploring the term "naco" that possesses pejorative connotations like pocho, but infers more of a "hick" identity characterized by pointy boots and linguistic markers.
Labels:
pocho naco,
selena edward james olmos
Monday, July 16, 2012
AZ Public Media on New Start
What I've Done on My Summer Vacations
For the last three out of four summers, I've taught English as a part of the New Start Summer program for underrepresented student populations. It's continued to be one of my most rewarding teaching experiences that reminds me why it is I do what I do in addition to teaching so that I might have these kinds of opportunities.
From the website: " The Office of Admissions at the University of Arizona welcomes a new freshman class every year. Up to 350 of those students take part in the UA's New Start summer program. The New Start summer program accommodates students for the summer, giving them a chance to get acquainted with the University of Arizona at all different levels." Visit the website: https://www.azpm.org/s/9538-new-start-program-offers-six-week-orientation-to-college-life/ Update (July 20, 2012): Voted on by my fellow instructors, I was awarded the Outstanding Instructor of the New Start Summer Program this past Friday at the Awards Ceremony (not so humble brag). Hopefully a photo to come.
For the last three out of four summers, I've taught English as a part of the New Start Summer program for underrepresented student populations. It's continued to be one of my most rewarding teaching experiences that reminds me why it is I do what I do in addition to teaching so that I might have these kinds of opportunities.
From the website: " The Office of Admissions at the University of Arizona welcomes a new freshman class every year. Up to 350 of those students take part in the UA's New Start summer program. The New Start summer program accommodates students for the summer, giving them a chance to get acquainted with the University of Arizona at all different levels." Visit the website: https://www.azpm.org/s/9538-new-start-program-offers-six-week-orientation-to-college-life/ Update (July 20, 2012): Voted on by my fellow instructors, I was awarded the Outstanding Instructor of the New Start Summer Program this past Friday at the Awards Ceremony (not so humble brag). Hopefully a photo to come.
Saturday, July 7, 2012
MAS teachers Curtis Acosta and Asiva Mir
"Empowering Young People to Be Critical Thinkers: The Mexican American Studies Program in Tucson"
By Curtis Acosta and Asiya Mir
A teacher and a student in Tucson’s acclaimed Mexican American Studies program, recently shut down by state and district officials, describe how the program has transformed the lives of its students and teachers.
INTRODUCTION
Curtis Acosta
By Curtis Acosta and Asiya Mir
From the website: www.annenberginstitute.org
Article PDF | ShareThis |
Education for Liberation: VUE Number 34, Summer 2012A teacher and a student in Tucson’s acclaimed Mexican American Studies program, recently shut down by state and district officials, describe how the program has transformed the lives of its students and teachers.
INTRODUCTION
Curtis Acosta
The memories overwhelm me as the question is posed, “What does education for liberation look like in Tucson?” I see the marches, the vigils, the teatro. I feel the music and voices of youth expressing their own view of the world through their art. A collection of powerful and poised faces of former students quickly flip through my mind, as they assertively and respectfully challenged the misconceptions and agendas of powerful political figures in Tucson and Phoenix. Along with them, I see the uncomfortable expressions of those políticos as they were held accountable to their constituency, to the voices, passion, and dreams of our youth. For those of us who have struggled to save ethnic studies and Mexican American Studies (MAS) in Tucson, these occurrences have become a part of a beautiful tradition of education for liberation that is handed from one cohort of students to another and will change our community forever.
Monday, July 2, 2012
Guest Blogger Rubén Mendoza
"Report-back from Berkeley: Presenting, Performing, and Participating at the 2012 Pedagogy and Theater of the Oppressed Conference"
By Rubén Mendoza
I recently had the opportunity to present at the 2012 Pedagogy and Theater of the Oppressed conference inBerkeley. My larger scholarly project as a doctoral student in English at UC Riverside looks at pedagogico-aesthetic rhetorical practices through a focus on Harry Gamboa’s contemporary work.
At this conference, I looked specifically at Gamboa’s use of performance and digital technomediation on a two-part panel with several other scholars who also focus on Chicana/o art practices and rhetoric, including Joshua Guzman (NYU), Dianna Santillano-Romo (CSUN), Joelle Guzman (UCR), and Ricardo Gamboa (NYU). During my presentation, conference chair Jiwon Chung popped in and provided some valuable feedback on my work. But it was my attendance at his body performance workshop the next day that was particularly helpful, as I was able to participate in a series of Theater of the Oppressed-oriented performance exercises that resonated with Harry Gamboa’s work and with my study of it. In this workshop, which reflected Chung’s performance work around non-violence, peace, and healing with his local Kairos Theater Ensemble, I met and interacted with a variety of people from different organizations who are doing similar scholarly work and performance and art practices in their own communities that resonated and intersected with the work of other Chicana/o scholars and activists who had a large and impactful presence at the conference (Rudy Acuña, PhD, Sean Arce, Liana Lopez, and Bryan Parras, for example, were all featured panelists and plenary speakers).
(Photo of Sean Arce by Benjie Sanders for the Arizona Daily Star)
The conference in general provided a great opportunity to meet people from around the world who are studying and doing similar work intertwining education, art, activism, and action. This helped to contextualize my own work and the work of other Chicana/o scholars, artists, and activists, as part of a larger web of international and transnational work and struggle. Over the course of the conference, I was fortunate to meet and speak with scholarly art-practitioners and activists who have found creative and effective ways to combine various realms of arts and education work, theory, and practice, in places like Brazil, Portugal, Ghana, South Africa, and Spain. For example, Tamara Lynn and Rebecca Tarlau presented on their work with the MST/Landless Movement in Brazil. Especially illuminating here was the description of how the MST has developed its own educational system. As Tarlau made clear, even though Freire was Brazilian himself, the use of Freiran Pedagogy of the Oppressed concepts was only one small part of a larger systematic pedagogical effort by the MST. While MST educators and pedagogists found that Freire’s approaches were useful for individual situations and projects, their desire to develop a whole educational system led them to seek out a more comprehensive approach to meet the needs they were seeking to address. They asked: Where has an entire educational system based on socialist principles been successfully constructed and implemented? The result of this questioning was a focused study on the pedagogical theorization and practice of the pre-Stalinist Soviet Union. Soviet pedagogists like Anton Makarenko and Lev Vygotsky, for example, formed the basis of their effort to construct an educational system based on collectivist and sociocultural pedagogical models to address the needs of the MST.
Inês Beatriz Barbosa presented some of her scholarly work with the Research Centre on Childhood Studies at the University of Minho in Portugal. Her case study about a forum-theatre group of teens from underprivileged areas in Portugal looked at how Theater of the Oppressed work addressed contemporary issues involving youth, cultural participation, citizenship, and social transformation. As with Lynn and Tarlau, Barbosa’s work was not just a scholarly analysis, but reflected a synthesis of academia and art in that the case study involved her own work as a TO practitioner, artist, and activist working with teens.
I was also fortunate to meet Julian Boal (Augusto’s son) and hear him speak several times in different contexts. One of the more interesting and salient points Boal raised was what he described as a current professionalization of Theater and Pedagogy of the Oppressed, especially in his talk, “Traps and Decoys in Liberatory Education: Participation, Indoctrination, False Neutrality.” Here, Boal spoke to the phenomenon of how some TO and PO practitioners have become professionalized, many operating like professional speakers on tour circuits who pop in to communities with which they are unfamiliar (for a fee), hold workshops that consist of highly technical and technicized exercises, then move on to the next spot. Others establish themselves in academic or non-profit organization positions, where they similarly practice a set of TO/PO exercises for local groups. The larger point Boal was trying to make was that in the process of this professionalization, TO/PO practices are reduced to techniques that are then mechanically applied, instead of developing and growing organically into new forms, techniques, and approaches, through non-professional practice outside institutional structures. The result is that the practice and the practitioners ossify. He called—quite self-consciously, as a featured speaker and workshop facilitator—for a heightened level of self-awareness, self-reflexivity, and self-consciousness, about the dangers and threats of these professionalization processes on the part of TO/PO practitioners as practitioners. I found the call relevant not just to TO/PO practitioners, but to all progressive educators, academics, and artists navigating institutional structures and their mandates and imperatives of “professionalization.” The danger to which he pointed is one of acting, paradoxically, as an agent of institutional co-optation of those very practices and forms that represent the efforts to subvert and deconstruct institutional structures to which “radical” and “progressive” educators and scholars aspire in the first place.
Overall, I think the conference is a great opportunity for both new and experienced PO/TO practitioners, scholars interested in PO/TO theory and practice, and anyone interested in critical transformational pedagogy. Visit their website at http://www.ptoweb.org/ for more information on this year’s conference and be sure to check with them for next year’s Call for Proposals.
For an extensive list of PTO resources and organizations, please visit the PTO Conference Resources and Links page by clicking here: http://ptoweb.org/links. html.
For an extensive list of PTO resources and organizations, please visit the PTO Conference Resources and Links page by clicking here: http://ptoweb.org/links.
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